The film Before Sunrise (1995) is a romantic film directed by Richard Linklater. As a part of a trilogy, this film is followed by Before Sunset (2004) and Before Midnight (2013). This study explores the use of symbols in the film to provide additional and profound meaning and enhance its aesthetic aspects. The analysis this paper has two main objectives: firstly, to identify the symbolism that appears in the film, and secondly, to analyze the meanings of these symbols.
This research employs a qualitative approach to examine the symbolism in the film Before Sunrise (1995). The analysis follows a systematic method involving watching the film, reading the script, and selectively capturing scenes. Data classification involves extracting meanings from relevant articles and journals. Qualitative data, rich in textual and visual content, forms the foundation for a nuanced analysis of symbolism in the film. This study contributes to a deeper understanding of the intricacies of the narrative and thematic richness in "Before Sunrise."
In conclusion, this study reveals that "Before Sunrise" (1995) utilizes various forms of symbolism to enhance its depth and meaning. The incorporation of symbolism in the film serves the purpose of providing profound layers of significance. The analysis identifies the film's three main symbols: color, objects, and nature. The presence of these symbols adds implicit and deeper meanings, contributing to the visualization of diverse personalities and scenarios woven into the storyline. This research underscores the importance of symbolism in enriching the narrative and thematic complexities within Before Sunrise. (1995)

Keywords: symbolism, type of symbolism, meaning of symbolism.