YUSUF, MUHAMMAD JA’FARRUDIN (2024) SEMIOTIC ANALYSIS OF CONFLICTS IN THE CHICKEN RUN MOVIE (2000). Undergraduate thesis, Universitas Islam Sultan Agung Semarang.
![]() |
Text
Sastra Inggris_30802000054_fullpdf.pdf |
![]() |
Text
Sastra Inggris_30802000054_pernyataan_publikasi.pdf Restricted to Registered users only |
Abstract
This study aims to identify the three levels of conflicts: inner, personal, and
extra-personal conflict experienced by the main character in the movie Chicken Run
(2000), as conceptualized by Robert McKee. Utilizing Roland Barthes’ semiotics
theory, and the study investigates how these three levels of conflicts are depicted
through semiotics theory within the film.
This study employs a descriptive qualitative research methodology to
examine the narrative complexities in the movie Chicken Run (2000). Data
collection involved a series of steps: watching the movie, reading the movie script,
identifying the data, classifying the data, and reducing the data. The primary data
was taken from the movie, with dialogues and monologues serving as key evidence.
Secondary data, including journals, articles, theses, and relevant e-books, support
and enrich the primary data. The unit of analysis focuses on phrases and sentences
within the dialogues and monologues, providing a comprehensive understanding of
the narrative.
The findings of this study reveal the three levels of conflicts: inner, personal,
and extra-personal conflict experienced by Ginger, the main character in Chicken
Run (2000). Inner conflicts are driven by Ginger's adrenaline and fear, her moral
responsibilities, and her strong desire for freedom. Personal conflicts stem from her
interactions with business partners, adversaries, and friends. Extra-personal
conflicts involve power struggles within the farm, biological limitations like
flightlessness, and systemic oppression symbolized by the pie machine. By
employing denotation, connotation, and myth, this research illustrates how
representations of leadership, the dichotomy of hope versus despair, and the
struggle between freedom and oppression underscore the protagonist's quest for
liberation and resistance against oppressive forces. The dialogues in Chicken Run
support each semiotic sign identified by the researcher, providing denotative,
connotative, and mythical meanings depicted in the film.
Keywords: Semiotic, Roland Barthes, Three Level of Conflict, Robert McKee,
Chicken Run.
Dosen Pembimbing: | Nurhamidah, Idha | UNSPECIFIED |
---|---|
Item Type: | Thesis (Undergraduate) |
Subjects: | P Language and Literature > PR English literature |
Divisions: | Fakultas Bahasa, Sastra dan Budaya Fakultas Bahasa, Sastra dan Budaya > Mahasiswa FBSB - Skripsi Sastra Inggris |
Depositing User: | Pustakawan 3 UNISSULA |
Date Deposited: | 02 Aug 2024 07:10 |
Last Modified: | 02 Aug 2024 07:10 |
URI: | https://repository.unissula.ac.id/id/eprint/35139 |
Actions (login required)
![]() |
View Item |